Prayer in the spirit of the Taizé Community is a meditative form of common prayer. Gathered together in the presence of the cross, we will sing uncomplicated, repetitive songs, uncluttered by too many words. We will listen to a brief reading from the Gospel. We will allow for an extended period of silence. We will offer prayers for the world, and we will pray the Our Father together. Students, parents, alumni, faculty and friends are cordially invited.
The K of D follows the story of Charlotte McGraw, a 12-year-old girl struggling to come to terms with the death of her twin brother, Jamie. It also follows the growing "legend" of Charlotte McGraw, as narrated by a pack of teenagers who live near Charlotte on a man-made lake in southwest Ohio. As with all great legends, truth and fiction become inextricably linked in this play. The truth is that Charlotte's brother was hit by a car and died in her arms. The truth is that moments before he died, he kissed her, gently, on the lips. The legend is that everything Charlotte kissed from that moment forward also died. The K of D begins upon the discovery of her new "skill" and tracks the events that transpire when the man who killed her brother returns to town and Charlotte's family attempts to use her skill to get rid of him. The K of D is designed as a one-woman show. One actress portrays 17 characters including Charlotte, her mother, her father, her new-found neighbor and the pack of rag-tag kids who speculate on much of Charlotte's story. The story purposely blurs the line between fact and fiction. Moreover, it suggests that drawing that line might be an act of futility as, if we're lucky, we all become legends in the end.
The K of D follows the story of Charlotte McGraw, a 12-year-old girl struggling to come to terms with the death of her twin brother, Jamie. It also follows the growing "legend" of Charlotte McGraw, as narrated by a pack of teenagers who live near Charlotte on a man-made lake in southwest Ohio. As with all great legends, truth and fiction become inextricably linked in this play. The truth is that Charlotte's brother was hit by a car and died in her arms. The truth is that moments before he died, he kissed her, gently, on the lips. The legend is that everything Charlotte kissed from that moment forward also died. The K of D begins upon the discovery of her new "skill" and tracks the events that transpire when the man who killed her brother returns to town and Charlotte's family attempts to use her skill to get rid of him. The K of D is designed as a one-woman show. One actress portrays 17 characters including Charlotte, her mother, her father, her new-found neighbor and the pack of rag-tag kids who speculate on much of Charlotte's story. The story purposely blurs the line between fact and fiction. Moreover, it suggests that drawing that line might be an act of futility as, if we're lucky, we all become legends in the end.
The K of D follows the story of Charlotte McGraw, a 12-year-old girl struggling to come to terms with the death of her twin brother, Jamie. It also follows the growing "legend" of Charlotte McGraw, as narrated by a pack of teenagers who live near Charlotte on a man-made lake in southwest Ohio. As with all great legends, truth and fiction become inextricably linked in this play. The truth is that Charlotte's brother was hit by a car and died in her arms. The truth is that moments before he died, he kissed her, gently, on the lips. The legend is that everything Charlotte kissed from that moment forward also died. The K of D begins upon the discovery of her new "skill" and tracks the events that transpire when the man who killed her brother returns to town and Charlotte's family attempts to use her skill to get rid of him. The K of D is designed as a one-woman show. One actress portrays 17 characters including Charlotte, her mother, her father, her new-found neighbor and the pack of rag-tag kids who speculate on much of Charlotte's story. The story purposely blurs the line between fact and fiction. Moreover, it suggests that drawing that line might be an act of futility as, if we're lucky, we all become legends in the end.
The K of D follows the story of Charlotte McGraw, a 12-year-old girl struggling to come to terms with the death of her twin brother, Jamie. It also follows the growing "legend" of Charlotte McGraw, as narrated by a pack of teenagers who live near Charlotte on a man-made lake in southwest Ohio. As with all great legends, truth and fiction become inextricably linked in this play. The truth is that Charlotte's brother was hit by a car and died in her arms. The truth is that moments before he died, he kissed her, gently, on the lips. The legend is that everything Charlotte kissed from that moment forward also died. The K of D begins upon the discovery of her new "skill" and tracks the events that transpire when the man who killed her brother returns to town and Charlotte's family attempts to use her skill to get rid of him. The K of D is designed as a one-woman show. One actress portrays 17 characters including Charlotte, her mother, her father, her new-found neighbor and the pack of rag-tag kids who speculate on much of Charlotte's story. The story purposely blurs the line between fact and fiction. Moreover, it suggests that drawing that line might be an act of futility as, if we're lucky, we all become legends in the end.
Students, parents, alumni, faculty and friends are cordially invited to join the Loyola community for this special Sunday evening Mass celebrated by Rev. Stan Czarnecki, SJ.
Consistent with the National Association for College Admission Counseling's (NACAC) decision to cancel spring college fairs, Loyola Academy's College Fair that was scheduled for Monday, March 16, has been canceled.
Members of the concert bands will be performing chamber music in small groups. These performances will involve groups as small as two members and as large as twelve and will range from the styles of classical to modern pop. The Loyola Academy Jazz Ensemble and Guitar Ensemble will also perform several pieces of their own for a concert that will be unique, fast-paced and entertaining.
Please join the President's Leadership Council (Young Alumni Board) for an evening to reflect on the joys and challenges that come with living out, or struggling with, one's faith in the midst of the many challenges facing the church today. Our exceptional panelists will foster conversation as they field audience questions and share from their experiences of finding hope within the Catholic Church today.
Panelists include:
Rev. Patrick E. McGrath, SJ President, Loyola Academy
Kay Gregg Campus Ministry Assistant Department Chair, Loyola Academy
Bob Kolatorowicz Director of Adult Spirituality and Education Ministries, Old St. Patrick's Catholic Church